Raya and the Last Dragon has landed an impressive Rotten Tomatoes score, as well as promising early reviews. Show
Featuring the voices of Star Wars' Kelly Marie Tran and Marvel actors Benedict Wong and Gemma Chan, the Disney film has secured a 95% Rotten Tomatoes score ahead of its release on Friday (March 5) both in cinemas and on Disney+. Described as "the most exciting Disney Princess story since Mulan", Raya has been dubbed a "vibrant action-fantasy epic" which marks a "great next evolution of Disney's modern-day princess films". Awkwafina's performance as Sisu has also been singled out as a unanimous highlight. Related: Raya and the Last Dragon going to Disney+ at same time as cinemas Following a warrior called Raya (Tran) who is determined to find the last dragon residing inside a realm known as Kumandra, Raya and the Last Dragon also features the voices of Killing Eve star Sandra Oh, Daniel Dae Kim and Alan Tudyk. It goes without saying that the film does have some detractors, who claim Raya actually maintains "the Disney status quo" and "might be a little too predictable". Here's our review round up: Den of Geek: "Raya and the Last Dragon is the most exciting Disney Princess story since Mulan. It gives us fiercely kind and incredibly flawed characters who care about healing a broken world and a setting that recognises there is beauty and value outside of European castle towns. It's not a perfect movie, but it's something incredibly special that feels like a step forward for the Disney Princess canon." IGN: "Raya and the Last Dragon is a beautifully animated, action-packed hero's journey, and a great next evolution of Disney's modern-day princess films." Empire: "Disney delivers a vibrant action-fantasy epic with another heroine who feels legitimately revolutionary. Raya rules — bring on the next step in the princess evolution." The Guardian: "While some of the beats might be a little too predictable and while the emotional wallop at the end might be more of a gentle tap, Raya and the Last Dragon works for the most part, a charming, sweet-natured YA-leaning adventure that acts as proof that Disney needs to focus on moving forward rather than continuing to look back." The Independent: "Raya and the Last Dragon will mean a lot to some. It will disappoint others. Either way, the Disney status quo remains intact." Related: Disney boss suggests more of its new movies could be released on Disney+ even after the pandemic The movie will follow the likes of Mulan and Soul by also premiering on streaming service Disney+. Speaking recently, Disney CEO Bob Chapek suggested more of the Mouse House's new releases may follow suit. Raya and the Last Dragon will be available to stream on Disney+ and in cinemas from March 5, 2021. Disney Classics Complete Collection The Lion King double pack boxset Maleficent: Mistress of Evil Disney Princess Complete Collection Box set [DVD] [2019] Digital Spy's digital magazine is back! Check out issue 6 – including an exclusive chat with Ant & Dec – plus all past issues with a 1-month free trial, only on Apple News+. Interested in Digital Spy's weekly newsletter? Sign up to get it sent straight to your inbox – and don't forget to join our Watch This Facebook Group for daily TV recommendations and discussions with other readers. Pete's Dragon is a 1977 American live-action/animated musical fantasy film directed by Don Chaffey, produced by Jerome Courtland and Ron Miller, and written by Malcolm Marmorstein. Based on the unpublished short story "Pete's Dragon and the USA (Forever After)" by Seton I. Miller and S. S. Field, the film stars Sean Marshall, Helen Reddy, Jim Dale, Mickey Rooney, Red Buttons, Jeff Conaway, Shelley Winters, and the voice of Charlie Callas as Elliott. The project was initially conceived in 1957 as a two-part episode of the Disneyland television series, but it was shelved until it was revived as a musical film in 1975. The film was released on November 3, 1977 to mixed reviews from critics, though some praised the animation. It was a moderate financial success, grossing $18 million over a $10 million budget. The film received two nominations at the 50th Academy Awards, for musical scoring and original song. Capitol Records released a single of Reddy performing "Candle on the Water" (with a different arrangement from that in the film) that reached #27 on the Adult Contemporary charts. In New England in the early 1900s, an orphan named Pete flees the Gogans, his abusive foster family, with the assistance of an unseen force he calls Elliott. The family calls for Pete to come back and promises that they will treat him better, while contrastingly expressing their true intentions to punish him severely ("The Happiest Home in These Hills"). After they abandon their search, Pete falls asleep. The next morning, Pete awakens and Elliott is revealed to be a large cartoonish green dragon that can turn invisible ("I Love You, Too"). Pete and Elliott visit Passamaquoddy, where the unseen Elliott's clumsiness causes Pete to be labeled a source of bad luck. Lampie, the lighthouse keeper, stumbles out of a tavern and encounters Pete. Elliott makes himself visible and Lampie, terrified, runs to the townsfolk ("I Saw a Dragon"). They dismiss Lampie's claims as another drunken rant. In a seaside cave, Pete reprimands Elliott for causing trouble. As they reconcile, Lampie's daughter Nora appears, warning that Pete is not safe staying there because of the incoming tide. When she realizes he is orphaned and not from the area, she offers him food and shelter at the lighthouse, and the two bond (“It’s Not Easy”). He learns the story of her fiancé Paul, whose ship was reported lost at sea the year before, and promises to ask Elliott to try to locate Paul. Itinerant quack Dr. Terminus and his assistant Hoagy win over the gullible townspeople, who are angered by their return (“Passamaquoddy”). Lampie and Hoagy attempt to prove that Elliott is real, but cannot get anyone to believe he exists. The next day, the local fishermen complain about the scarcity of fish, believing it is Pete's fault. Nora tells them the fishing grounds shift from time to time and Pete should be welcomed into town ("There's Room for Everyone"). That night, Nora and Lampie argue over Lampie's claims of seeing a dragon and Nora's beliefs of believing Paul will return, though Nora retains her faith in Paul ("Candle on the Water"). Later, Nora takes Pete to start school, where the teacher, Miss Taylor, punishes him for Elliott's antics. An enraged Elliott smashes into the schoolhouse, leaving his shape in the wall and frightening the townspeople. The incident at the school convinces Terminus that the dragon is real and he and Hoagy conspire to exploit Elliott for medicinal profit ("Every Little Piece"). Pete accepts Nora and Lampie's invitation to live with them ("Brazzle Dazzle Day"). When the Gogans arrive in town and demand Pete be returned, Nora refuses to surrender him. As the Gogans chase them in a small boat, Elliott sinks it, saving Pete ("Bill of Sale"). Dr. Terminus teams up with the Gogans to capture Pete and Elliott, convincing the locals that capturing Elliott will solve their problems. That evening, a storm blows in, while at sea, a ship approaches Passamaquoddy with Paul on board. Dr. Terminus lures Pete to the boathouse while Hoagy does the same to Elliott. Elliott is caught in a net, but frees himself. He retrieves Pete in a final confrontation with the Gogans, who flee after Elliott destroys their bill of sale. Dr. Terminus attempts to harpoon Elliott, but his leg is caught in the rope and he is sent catapulting through the ceiling, ending up dangling upside down near a utility pole. Elliott saves the Mayor, Miss Taylor, and the members of the Town Board from a falling utility pole, revealing himself to them. At the lighthouse, the lamp has been extinguished by a rogue wave. Elliott returns and lights it with his fire, revealing himself to Nora. The light is ignited and the ship is saved. The next morning, the Mayor and the townsfolk praise Elliott for his help, and Nora is reunited with Paul. Paul explains he was the sole survivor of a shipwreck at Cape Hatteras and suffered amnesia, but something knocked him out of bed and restored his memory. Elliott tells Pete that since he has a family now, he must move on to help another child in trouble. Elliott flies away as Pete and his new family wave goodbye, with Pete reminding Elliott that he is supposed to be invisible. Cast (in order of opening credits)[edit]
The film's songs were written by Al Kasha and Joel Hirschhorn. Irwin Kostal composed the score. "Candle on the Water" was nominated for the Academy Award for Best Original Song. Production[edit]Development[edit]In December 1957, Walt Disney Productions optioned the film rights to the short story "Pete's Dragon and the U.S.A. (Forever After)" that was written by Seton I. Miller and S.S. Field, in which Miller was hired to write the script.[3][4] Impressed with his performance in Old Yeller, Walt Disney had child actor Kevin Corcoran in mind to star in the project as a feature-length film.[5][6] However, Disney considered the project to be more appropriate for his Disneyland anthology program,[6] by which it was slated to be filmed as a two-part episode in the following year.[3] In February 1958, Variety reported that filming was scheduled to begin in October. By the following spring, veteran screenwriter Noel Langley had completed his draft of the script. However, Disney was still unsure of how to approach the project, and the project was placed in turnaround.[6] In 1968, writers Bill Raynor and Myles Wilder were hired to write the script, and completed their outline in October. They submitted their outline to the studio for review, but the project continued to languish in development.[3] In 1975, producer Jerome Courtland re-discovered the project and hired writer Malcolm Marmorstein to write the script.[3] For his script, Marmorstein revised the story from being in contemporary time into a period setting, and had the dragon changed from being wholly imaginary into a real one. In earlier drafts, Elliott was mostly invisible aside from one animated sequence, in which Dr. Terminus would chop up the dragon for his get-rich scheme. However, veteran Disney artist Ken Anderson felt the audience would "lose patience" with the idea and lobbied for Elliott to be seen more in his visible form during the film.[7] In retrospect, Marmorstein conceded that "We tried a completely invisible dragon, but it was no fun. It was lacking. It's a visual medium, and you're making a film for kids." He also named the dragon "Elliott" after actor Elliott Gould (who was a friend from his theater days), and named the town "Passamaquoddy" after the real Native American tribe in Maine. In October 1975, the songwriting duo of Al Kasha and Joel Hirschhorn were assigned to compose the musical score.[9] The production was directed by British filmmaker Don Chaffey, who had made two smaller films for Disney in the early 1960s between directing larger fantasy adventures (Jason and the Argonauts, One Million Years B.C.) for others. Animation[edit]The film's animators opted to make Elliott look more like an oriental, rather than occidental, dragon because oriental dragons are usually associated with good. The film is the first involving animation in which none of the Nine Old Men—Disney's original team of animators—were involved. One technique used in the movie involved compositing with a yellowscreen that was originally used in Mary Poppins and similar to today's greenscreen compositing, whereby up to three scenes might be overlaid together – for example, a live foreground, a live background, and an animated middle ground containing Elliott. Ken Anderson, who created Elliott, explained that he thought it would be appropriate to make him "a little paunchy" and not always particularly graceful at flying.[10][11] Don Hahn, who was an assistant director to Don Bluth on Pete's Dragon, gained some experience working with a combination of live-action and animation before later going on to work on Who Framed Roger Rabbit.[12] Release[edit]Pete's Dragon premiered on November 3, 1977 at the Radio City Music Hall, in which the film ran 134 minutes. For its general release, it was edited down to 121 minutes. It was later re-released on March 9, 1984, shortened from 121 minutes to 104 minutes. The film's movie poster was painted by artist Paul Wenzel.[13][14] Soundtrack[edit]A soundtrack recording (Disneyland 3138) was released that told much of the story and added a narrator, but unlike many other Disney book and records, used the actual dialogue recorded for the film, which the book presented in script format. The inclusion of story led to the omission of several songs, including "The Happiest Home in These Hills," "There's Room for Everyone," and "Bill of Sale," while "Brazzle Dazzle Day" is included only in instrumental. The film was released on VHS in early 1980. It was re-released on VHS on October 28, 1994 as a part of Masterpiece Collection. It was originally slated to be released in the Walt Disney Gold Classic Collection line-up on December 5, 2000,[15] but it was pushed back to January 16, 2001. The DVD includes bonus features such as two animated shorts Lighthouse Keeping and Man, Monsters and Mysteries, two vintage excerpts from the Disney Family Album episode on Ken Anderson and "The Plausible Impossible" from Disneyland, and both theatrical trailers for the film. The film was re-released in a "High-Flying Edition" DVD on August 18, 2009. The DVD includes a half-hour documentary feature, a deleted storyboard sequence, original demo recordings of the songs, and several bonus features transferred from the Gold Classic Collection release.[16] It was released on the 35th-anniversary edition Blu-ray on October 16, 2012. Reception[edit]Critical reaction[edit]Janet Maslin of The New York Times praised the film declaring it "the most energetic and enjoyable Disney movie in a long while." She noted, "Sean Marshall doesn't sing well, but Helen Reddy does, so she often accompanies his vocals. Miss Reddy is serviceable but undistinguished as an actress—she has a tendency to behave as if she were a very bright light bulb in a very small lamp—but she so often finds herself in the company of Messrs. Rooney, Dale or Buttons that her scenes work well." However, she was critical of the film's length and the excessive alcohol consumption.[17] Kathleen Carroll of the New York Daily News gave the film three stars out of four, criticizing the score and the live-action footage, but praising the animation of the dragon and the performances, writing "Sean Marshall, as Pete, looks and acts natural on camera which makes him a refreshing change from those sweet little cherubs usually cast in Disney movies. Miss Reddy plays her role with crisp efficiency and fortunately receives strong support for the rest of the cast, particularly Dale, so slick and funny as the conniving medicine man he nearly upstages the cuddly dragon."[18] Variety wrote the film was "an enchanting and humane fable which introduces a most lovable animal star (albeit an animated one)." They praised the combination of live-action and animation as "never before more effectively realized" and commented that the film suffered "whenever Elliott is off screen."[19] John Skow of Time wrote the film was "likeable fantasy", but dismissed the musical numbers as "a good opportunity to line up for more popcorn."[20] Charles Champlin of the Los Angeles Times wrote, "At 2 hours 7 minutes it is a trying span for small sitters. The animated excitements keep stopping for songs by Al Kasha and Joel Hirschhorn, but they are not showstoppers in the grand sense. Bland, perfunctory and too numerous is more like it."[21] Gene Siskel of the Chicago Tribune gave the film two stars out of four and wrote that "we get the same tired Disney formula: a gooey-faced kid in a phony sound-stage world populated by old actors required to perform ancient vaudeville routines ... Compared to the great Disney animation classics, 'Pete's Dragon' is just TV fare on the wide screen."[22] Gary Arnold of The Washington Post wrote that the film "was apparently meant to be a big, rousing musical comedy-fantasy, but it's staged and photographed without musical-comedy energy, flair or coordination ... Perhaps children can be counted on to enjoy Elliott's mugging and the slapstick interludes that occasionally interrupt the tedium, but parents will see this one more as a chore."[23] Critic Leonard Maltin observed that Disney made several attempts to recreate the appeal and success of Mary Poppins (1964), and that Pete's Dragon did not come close on that score. However, he added that it might please children, and that "the animated title character is so endearing that it almost compensates for the live actors' tiresome mugging."[24] Thomas J. Harris, in his book Children’s Live-Action Musical Films: A Critical Survey and Filmography, heavily criticized the story as well as the compositing of the animated Elliott; he also found the "Mary Poppinsish ending" to be "thoroughly unmotivated", because Pete's life before meeting Elliott is never fleshed out.[25] In 2006, Elliott was ranked fifth on a top 10 list of movie dragons by Karl Heitmueller for MTV Movie News.[26] On the review aggregator website Rotten Tomatoes, the film has an approval rating of 56% based on 27 reviews, with an average rating of 5/10. The site's consensus states: "Boring and slow, this is a lesser Disney work, though the animation isn't without its charms."[27] Metacritic gave film a score of 46 based on 5 reviews, indicating "mixed or average reviews".[28] Box office[edit]During its initial release, the film grossed $16.1 million in distributor rentals from the United States and Canada,[29] which was ranked sixteenth on Variety's box office hits list of 1978.[30] However, the returns were considered disappointing for Disney who were hoping for a Mary Poppins-sized blockbuster.[31][32] The film has a lifetime domestic gross ranging from $36[1] to 39.6 million.[2] Awards and honors[edit]In March 2013, Disney announced a remake of the film, written by David Lowery and Toby Halbrooks, the director/writer and co-producer (respectively) of the Sundance hit Ain't Them Bodies Saints (2013). It re-imagines a venerable Disney family and is presented as a straightforward drama as opposed to a musical.[36] Principal photography commenced in January 2015 in New Zealand, with Lowery directing,[37][38] and subsequently released on August 12, 2016. How many rotten tomatoes did Raya and the Last Dragon have?Rotten Tomatoes - 'Raya and the Last Dragon' is now officially Certified Fresh at 96% on the Tomatometer with 95 reviews. | Facebook.
Was Raya and the Last Dragon any good?A beautifully heart-swelling put a lump in your throat kind of family film that doesn't come around too often. Raya and the Last Dragon is a visually striking spectacle with equally effective emotional resonance and a lively lead – in short, another win for Walt Disney Animation Studios.
Which is better Encanto or Raya and the Last Dragon?Encanto offers a much more nuanced take on its themes, while Raya's execution is more clunky and heavy-handed. Encanto is about trauma, and how that can affect multiple generations within a family and how they treat each other.
Is Raya a flop?It would eventually be released in theaters and on Disney's streaming service, Disney+, at a premium cost of $29.99. Though the movie was a financial flop, it did receive positive reviews that praised its developed characters and fresh spin on the typical Disney movie.
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Rotten tomatoes raya and the last dragon
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